When asked to describe the title track from his new record, Kyle Thomas—aka King Tuff—takes a deep breath. “It’s a song about hitting rock bottom,” he says. “I didn’t even know what I wanted to do anymore, but I still had this urge—this feeling—like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that’s what songwriting, and art in general, is about. You’re chasing something, there is something out there calling to you and you’re trying to get at it. ‘The Other’ is basically where songs come from, it’s the hidden world, it’s the mystery. It’s the invisible hand that guides you whenever you make something. It’s the thing I had to rediscover—the sort of voice I had to follow—to bring me back to making music again in a way that felt true and good.”
The Wait is over…Actually, it’s back! Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP - Garage Days Re-Revisited on April 13, 2018 as part of thir ongoing remasters series via their own Blackened Recordings label.
Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats! Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA
Fresh off the success of her 2016 collaboration with Neko Case and kd lang, Laura Veirs brings you her 10th album. A batch of inimitable, exquisite folk-pop songs; a concept album about the fragility of precious things. Featuring contributions from Jim James (My Morning Jacket) and Sufjan Stevens. Produced by Grammy-nominated Tucker Martine
The highly-anticipated album, The Tree of Forgiveness, is Prine's first collection of new material since 2005's Grammy-winning Fair and Square. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.
Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville's historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called 'God Only Knows'; Another incomplete song, 'I Have Met My Love Today' now celebrates the unexpected spark that leads to lifelong romance -- with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact.
Cheyenne Valley Drive is the 3rd studio album (and the first on their brand new label Bud's Recording Services), by Austin's Greyhounds. The band has been aptly described as "ZZ Top meets Hall & Oats" for their blend of gritty guitar riffs, smooth rhythms and soulful R&B. Cheyenne Valley Drive is no exception. Co-writers and singers Anthony Farrell and Andrew Trube mix these elements deftly throughout the 10 tracks. The sessions were recorded and mixed at legendary Sam Phillips Recording in Memphis, TN by Grammy award winning engineer Matt Ross-Spang (Margot Price, Jason Isbell).
Grammy Nominated singer/songwriter Beth Hart treats fans to an intimate performance at New York's Iridium in this special episode of Front & Center. She first rose to fame in 1999 with her single "L.A. Song (Out of This Town)". Hart performs some material from her latest album, Fire On the Floor, including "Jazz Man," "Let's Get Together," and "Fat Man." On Friday April 13, 2018 Beth Hart will release "Front and Center - Live From New York" on Mascot Label Group/Provogue. It features a 15 track live CD and the Front and Center broadcast on DVD with an in-depth interview, 3 full band songs and 3 acoustic songs as bonus material.
Four teenagers in detention discover an old video game console with a game they’ve never heard of. When they decide to play, they are immediately sucked into the jungle world of Jumanji in the bodies of their avatars (Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan). They’ll have to complete the adventure of their lives filled with fun, thrills and danger or be stuck in the game forever!
Now graduated from college, realizing it takes more than a cappella to get by, all the Bellas return in the final chapter in the beloved series. After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there are no job prospects for making music with only your mouth. But when they get the chance to reunite for a European USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time.
The Decemberists explore a new sound on their inspired 8th studio album I’ll Be Your Girl, out 3/17 on Capitol Records. The acclaimed Portland, Oregon-based band (with nearly 2M adj. albums sales) worked with producer John Congleton (St. Vincent, Lana del Ray) & embraced influences such as Roxy Music and New Order to spark a new creative path, as evidenced on synth-driven lead single “Severed.” The band kicks off their 2018 Your Girl / Your Ghost World Tour on 3/22.
Dorothy is releasing their 2nd full-length album 28 Days in the Valley on 3/9 for Jay Z's Roc Nation. Linda Perry produced & co-wrote several tracks which even with more tender moments still has the gritty rock n roll of 2016’s ROCKISDEAD. Recent single "Down To the Bottom" hit #35 on Billboards Mainstream Rock chart. Rolling Stone calls it the "perfect mix of blues thunder and alt-rock guitar crunch.“ But this time around added layers of emotion fueled by less metal-more Cali desert rock vibes.
Segmented Tri-Color vinyl – Blue/Red/Yellow/Red Exclusive back cover design by We Buy Yours Kids Exclusive fold-out poster photographed by Jamie Wdziekonski Includes lossless digital download of King Gizzard live @ Webster Hall, NYC 3.31.17. Mixed by Stu Mackenzie English lyrics insert
Andrew Lloyd Webber: Unmasked (The Platinum Collection) are the all-time greatest hits from the works of Andrew Lloyd Webber, one of the most successful composers of our era. The 2CD set collects the finest of his cherished works from the past five decades. Featuring newly-recorded versions of songs by Lana Del Rey, Gregory Porter, Nicole Scherzinger and an exclusive performance by Beyonce of 'Learn To Be Lonely' from the 2005 Academy Awards with Andrew Lloyd Webber accompanying on piano.
Growing up listening to Repo Man on his boom box, Joshua Homme idolized Iggy Pop. He was the reason why Joshua picked up a guitar in the first place so when he received a text out of the blue from Iggy asking if he d like to collaborate on some music, he froze. Filled with child-like fear, Joshua drafted several replies before settling on that would be wonderful. It marked the start of an unexpected musical affair between two mavericks of American rock: the front man of Queens of the Stone Age and the Godfather of Punk.
American Valhalla candidly explores the relationship from text to tour via the recording of Iggy's final album, Post Pop Depression. Through lyric sheets, letters and journal entries, it brings you closer to Iggy, Joshua, and the creative process than ever before. After falling out with his band and releasing a run of poorly received albums, Iggy was determined to prove the doubters wrong. Joshua wanted to help his icon win at the end but how do you out-rock the Stooges?
American Valhalla takes you to Joshua Tree and inside the studio where Iggy, Joshua, Matt Helders (drummer, Arctic Monkeys) and Dean Fertita (guitar, Queens of the Stone Age) worked in total secrecy. With intimate access throughout the recording, the film witnesses Joshua s fizzing creativity and the band s fear and excitement of sharing a studio with Iggy.
With the music recorded and plans to tour gaining momentum, Iggy received the news that neither he nor the rest of the world was ready for. David Bowie, Iggy's closest music confidant and friend, had passed away. Would the tragic news bury the album in the Mojave Desert before anyone had heard a single note of it? In the film's most powerfully emotive scenes, American Valhalla shines a light on how Iggy, at his most vulnerable, reacted to David's death. From the depths of despair, Iggy drew inspiration. Grasping on to his own sense of impermanence and the legacy he himself would leave behind, Iggy - with the backing of his new band of brothers - rehearsed like a man possessed. The rehearsals would set in motion a sequence of concerts from The Teragram Ballroom in Los Angeles to a crowning performance at London's Royal Albert Hall where the connection between Iggy, Joshua and the fans has never been so visceral.
The story of American Valhalla is told by only those who were there at the time. Conversations led by Anthony Bourdain (celebrity chef) complement stunning photography and cinematography at the studio, the rehearsals and the concerts to reveal the growth of the intense bond between the musicians who have taken to heart the mantra: "you risk nothing you gain nothing."
It’s the summer of 1983 in Italy, and Elio (Chalamet), a precocious 17-year-old, spends his days in his family’s villa transcribing and playing classical music, reading and flirting with his friend Marzia. One day, Oliver (Hammer), a charming American scholar arrives as the annual summer intern tasked with helping Elio’s father, an eminent professor. Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.
Based on the unbelievable but true events, I, Tonya is a dark comedic tale of American figure skater, Tonya Harding, and one of the most sensational scandals in sports history. Though Harding was the first American woman to complete a triple axel in competition, her legacy was forever defined by her association with an infamous and poorly executed attack on fellow Olympic competitor Nancy Kerrigan. Featuring an iconic turn by Margot Robbie as the fiery Harding, Sebastian Stan, Allison Janney, and an original screenplay by Steven Rogers, Craig Gillespie's I, Tonya is an absurd, irreverent, and piercing portrayal of Harding's life and career in all of its unchecked—and checkered—glory.
Violence is the sixth album from Editors. It was produced by Leo Abrahams (Wild Beasts, Florence & The Machine, Frightened Rabbit) and Editors with additional production from Benjamin John Power (Blanck Mass, Fuck Buttons) and mixed by Cenzo Townshend. Violence is a muscular, dynamic call-to-arms aimed at dismantling those in power - corrupt politicians or businessmen - and returning that power to the masses.
Both Sides Of The Sky presents 13 studio recordings including 10 which have never before been released. All but two of these studio recordings were made during a fertile period between January 1968 and 1970. Jimi's mastery and use of the studio as a proving ground for new songs resulted in a growing collection of extraordinary material. This album completes a trilogy of albums [with Valleys Of Neptune and People, Hell & Angels] presenting the best and most significant unissued studio recordings remaining in the Hendrix archive. The songs include fascinating alternate versions of "Stepping Stone," "Lover Man" and "Hear My Train A Comin'" as well as recordings where Jimi is joined by special guests Johnny Winter and Stephen Stills. Both Sides Of The Sky was mixed by Eddie Kramer, the engineer for all of Hendrix's albums throughout the guitarist's lifetime, and produced by Janie Hendrix, Kramer and John McDermott.
On March 9TH, 2018 Stax Records will release Tearing at the Seams, the highly anticipated new album from Nathaniel Rateliff & The Night Sweats. Tearing at the Seams follows the band’s critically and commercially lauded self-titled debut album, which is certified GOLD in the U.S., Belgium, Switzerland and the Netherlands, Platinum in Canada and Silver in the U.K.
In addition to the 12-track standard edition, Tearing at the Seams will be available in a 14-track deluxe edition that features two bonus tracks and exclusive photos. Vinyl editions include the (2-disc, 180gram) 12-track standard edition and the (2-disc, 180gram) 14-track deluxe edition, which features an exclusive photo book and special 7” single.
Fans of alt-rock music rejoice because Teenage Wrist are here to remind you why distorted guitars, dreamy vocals and massive dynamics never go out of style. The band—Kamtin Mohager (bass, vocals), Marshall Gallagher (guitar, vocals) and Anthony Salazar (drums) formed in 2015 and instantly made a name for themselves with their debut EP, Dazed.
The Los Angeles band’s full-length debut Chrome Neon Jesus is a timeless collection of music from a group of music veterans who have unequivocally dedicated themselves to their craft and evoke everyone from Smashing Pumpkins to Sense Field in the process. The result is an album that’s inspired by the alternative heroes of the past yet retains a modern edge and is teeming with choruses so big that they stretch toward the stratosphere.
Young Fathers will release their third studio album, Cocoa Sugar, on March 9th, 2018 via Ninja Tune. The UK-based & Mercury Prize-winning trio recently shared their latest track & video 'LORD', which was described as 'Spectacular' by FADER, Crack, and Clash & earned praise by Stereogum, Paste, NME, Complex & more. The band will then return to the USA with a run of shows this Spring. Following their work on the score of Danny Boyle's Trainspotting 2, Young Fathers deliver their third and most ambitious record to date.
The Neighbourhood, is the eponymous third album from the critically acclaimed LA based alternative rock band. This album follows the release of the digital EPs 'HARD' in September, 2017, and 'to imagine' in January, 2018 setting up the release of this collection. This new collection shows another dimension of The Neighbourhood's music, and includes the tracks "Scary Love," "Sadderdaze," "You Get Me So High," "Stuck With Me," and "Void."
The Neighbourhood's 2013 debut album, I Love You, and the double-platinum hit single "Sweater Weather" catapulted the band to the top of the pop and alternative charts. "Sweater Weather" emerged as one of the biggest singles of 2013 and the band went on to sell out venues throughout the U.S., Europe, and Russia. Wiped Out!, The Neighbourhood's sophomore album proved to be a swirling collection of R&B-infused rock, and once again rewrote the rules of what it means to be a rock band in the modern musical landscape.
The Neighbourhood is Jesse Rutherford (vocals), Jeremy Freedman (guitar), Zach Abels (guitar), Mikey Margott (bass) and Brandon Fried (drums). Over the years, The Neighbourhood have proved themselves to be trendsetters through their musical and cultural output, taking The 1975, Travis Scott and Kevin Abstract on their first national tours. Considering the band's ability to transcend genre it's easy to wonder, who exactly is The Neighbourhood ?
In the three decades since first convening at the University of Massachusetts, Buffalo Tomsinger-guitarist Bill Janovitz, bassist-vocalist Chris Colbourn and drummer Tom Maginnishave built a formidable body of work. Having first made its mark with a raw, raucous approach that put the band at the forefront of the '90s alt-rock explosion, the intrepid trio has consistently revealed new layers of musical and emotional depth, as manifested in the bittersweet ballads, soul-searching songcraft and rousing rock tunes that make up the new album Quiet and Peace. The consistently compelling 11-song set (on the band's own Scrawny label, in association with Schoolkids Records) finds the band simultaneously mining their best-known sonic elements while breaking new ground on emotionally resonant new tunes such as "All Be Gone," "Overtime," "Roman Cars," "Freckles" and "CatVMouse.
Single LP on black vinyl in gatefold sleeve with printed inner sleeve. Includes coupon for full download.
“Nine feminist bangers,” Tracey Thorn joked when asked to describe her first solo album of entirely original material in seven years. Resplendent in Ewan Pearson’s unashamedly glittering electro-pop production, Record will be released on March 2, 2018.
“I think I’ve always written songs which chronicle the milestones of a woman’s life,” she says. “Different ages and stages, different realities not often discussed in pop lyrics. If 2010’s Love and Its Opposite was my mid-life album—full of divorce and hormones—then this album represents that sense of liberation that comes in the aftermath, from embarking on a whole new ‘no fucks given’ phase of life.”
On Record, the synth-driven tracks arrive and leave with a punchy sub-three-minute directness. The album packs an eloquent punch. As ever, the personal has often been political in Tracey Thorn’s work. Across four decades, her songs and writing have offered up a clear-eyed woman’s view of the immediate world around her, from the acerbic teen love songs of her first early ’80s band Marine Girls through sixteen years as one-half of articulate multimillion-selling duo Everything But The Girl, to her recent acclaimed memoirs and journalism.
Single LP on black vinyl in single sleeve with printed inner sleeve. Includes coupon for full download.
Since debuting in 2008, Titus Andronicus has been conditioning faithful listeners to always expect only the unexpected, consistently zigging where others would zag and maintaining a steadfast dedication to fearless ambition. With the March 2 release of the new studio album A Productive Cough on Merge Records, Titus Andronicus has executed the most shocking departure yet—but only if, as ever mercurial singer-songwriter Patrick Stickles insists, “you haven’t been paying attention.”
Jonathan Wilson had a busy 2017, producing Father John Misty's grammy-nominated Pure Comedy and touring arenas around the globe as a guitarist and vocalist for Pink Floyd legend Roger Waters (for whom he also contributed to the lauded Is This The Life We Really Want? album.) Wilson also saw widespread acclaim heaped on Karen Elson’s sophomore LP Double Roses, which he recorded with her in Los Angeles in 2016.
But it's not looking like Wilson is going to get much of a rest in 2018 either, as he'll be continuing on with the worldwide Waters tour and is set to release his own new solo album Rare Birds in the spring. The highly anticipated long player - which features backing vocals from Lana Del Rey, Josh Tillman, fellow Roger Waters bandmates Lucius and an extraordinary musical gift from otherworldly Brian Eno collaborator Laraaji - will be released through Bella Union worldwide.
11th studio album from iconic KC MC. Several pre-releases singles and videos planned, including a short film. Press tour planned for LA & NYC, ahead of release including radio and TV. Partnering with Boulevard Brewing in Kansas City this spring. Deluxe will have 19 total tracks plus a "Planet" pendant vs Standard with 15 tracks.
Kristoff Krane is a Minneapolis-based rapper known for his stream-of-consciousness approach to writing, freestyling and performing. In addition to his solo releases, Krane was also frontman alongside Micheal ‘Eyedea’ Larsen in Rhymesayers’ freestyle group, Face Candy. Kairos Part Two is the second installment in his two-part album with music by Graham O'Brien, following Kairos Part One which featured deM atlaS (Rhymesayers Entertainment), landed a premiere via 2dopeboyz.com, and was praised for its “rich songs with layers” (scratchedvinyl.com). Kairos Part Two will be released March 2nd, 2018 on Fake Four Inc.
Lucius is releasing a fully-acoustic record, NUDES, to be announced on January 19th and released on March 2nd. This 10-song album is a collection of reimagined fan favorites including Until We Get There and Tempest, as well as several new songs and covers, all recorded at the famed Electric Lady Studios. The album features guests Nels Cline (Wilco) and Roger Waters and includes covers of songs originally recorded by Gerry Rafferty and Tame Impala.
Amidst nearly every performance over the past few years, we’ve had the opportunity to strip away everything - be it at the center of the crowd, on stage around one microphone, or in tiny, unexpected rooms around the world - all in an effort to share and create an intimate, heartfelt connection with our audience. It is these moments that have inspired our newest recording project, NUDES. Recorded over two days at New York’s legendary Electric Lady Studios, NUDES is a collection of acoustic songs: new, from our back catalog - reimagined, and covers we’ve always wanted to record. It is a record paying homage to what has been... and a hint at what’s to come.
The group colloquially known as “the Standards trio” has made many outstanding recordings, and After The Fall must rank with the very best of them. “I was amazed to hear how well the music worked,” writes Keith Jarrett in his liner note. “For me, it’s not only a historical document, but a truly great concert.” This performance – in Newark, New Jersey in November 1998 – marked Jarrett’s return to the concert stage after a two year hiatus. Joined by improvising partners Gary Peacock and Jack DeJohnette, he glides and soars through classics of the Great American Songbook including “The Masquerade Is Over”, “Autumn Leaves”, “When I Fall In Love” and “I’ll See You Again”. There are also breath-taking accounts of hallowed bebop tunes including Charlie Parker’s “Scrapple From The Apple”, Bud Powell’s “Bouncin’ With Bud” and Sonny Rollins’s “Doxy”.
The songs and narrative’s on LONER reflect my life over the last couple years––I joined Tinder, I got my first apartment and painted it teal, I went to parties, I discussed politics, I had a girlfriend, we traveled the country, we broke up. I learned, for better or worse, how to be a member of the modern world. Turns out the modern world is terrifying. Tired of the bottomless pit of sad songs, I decided to put a spin on my greatest songwriting inspirations––misogyny, unplanned pregnancy, Capitalism, anxiety, loneliness and death––and wrap such depressing subject matter in a sprightly, angsty pop burrito…Because it’s hard being serious all the time and sometimes sad songs just need a cocktail. Loner reflects the styles of music I love––pop, folk, punk, electronic, and surf music––all thrown into a blender with a ladle full of cheeky satire. I call it Schizodrift. It sounds like Blondie drunk on mai tais. Loner was co-produced by myself and the wonderful Paul Butler (Devendra Banhart, Michael Kiwanuka, St. Paul & The Broken Bones) and recorded in freezing Northern California, in addition to my parent’s attic and my last apartment. It was mixed by sound guru Andrew Sarlo (Big Thief, Nick Hakim, Show Me The Body) in Brooklyn, NY. - C.Rose
James Keogh, otherwise known as Vance Joy, is a folk/pop artist from Melbourne, Australia. Vance Joy’s love of music was inspired by his mother’s aptitude at literature and his father’s fondness of singing. His parents’ vast, eclectic record collection only served to heighten his partiality to it. After completing a university degree in law, he decided to take a year’s break to focus on making music. He travelled to India and South-East Asia with a collection of songs rattling around in his head. When he came home, they all fell into place. Like the unforced orchestration of his songs, Vance Joy’s recent success has developed organically.
On November 29, 2002, one year after the passing of George Harrison, Olivia Harrison and longtime friend Eric Clapton organized a performance tribute in his honor. Held at London’s Royal Albert Hall, the momentous evening featured George’s songs, and music he loved, performed by a lineup that included Clapton, Jeff Lynne, Paul McCartney, Tom Petty, Monty Python, Billy Preston, Jools Holland, Ravi and Anoushka Shankar, Joe Brown, Ringo Starr, Dhani Harrison and many more. In honor of George Harrison’s 75th birthday (February 25), the Grammy®-winning release CONCERT FOR GEORGE, will be available for the first time on vinyl, released as a 4-LP Box Set, as well as well as new CD/DVD and CD/Blu-ray combo configurations.
Joshua Hyslop’s new album Echos, releases on February 23, 2018 (Nettwerk) and is an empathetic collection of stories reflecting the Vancouver based singer/songwriters personal experiences as well as those around him. Since emerging with his 2012 full-length debut Where The Mountain Meets The Valley, Joshua Hyslop has accumulated over 65 Million streams worldwide, performed over 200 shows spanning North America and Europe, garnered critical acclaim and support throughout the media and industry peers, and has carved out an impressive diehard fan base.
I'm drawing from the urgency of the moment, says acclaimed Nashville-based singer-songwriter Grant-Lee Phillips, of Widdershins, his ninth solo album set for a February 23, 2018 release on Yep Roc Records. Inspired by the things that eat away in the late hours, Phillips invests the insight, nuance and wit in a riveting dissection of today's fraught social landscape.
Recorded over four days at Sound Emporium in Nashville, the 13-track set was produced by Phillips (guitar/vocals/keyboards) and cut largely live in the studio as a trio with Jerry Roe (drums) and Lex Price (bass). Mixed by Tucker Martine (My Morning Jacket, Punch Brothers) and engineered by Mike Stankiewicz, the album delivers its poetic truths in Phillips' peerless melodic sensibilities, relayed via vocal performances that balance intensity and vulnerability.
Fever Ray's new album, Plunge, is the first release in eight years since the celebrated self-titled debut in 2009. Plunge was recorded in Karin Dreijer’s Stockholm studio in collaboration with the producers Paula Temple, Deena Abdelwahed, NÍDIA, Tami T, Peder Mannerfelt and Johannes Berglund. Karin Dreijer is one half of the electronic duo The Knife along with her brother, Olof Dreijer.
The Eels's 12th studio album was performed by E (Mark Oliver Everett) and longtime collaborators Koool G Murder and P-Boo alongside The Deconstruction Orchestra & Choir. It was produced by E, with some songs produced by Mickey Petralia for the first time since 1998's Electro-Shock Blues. Eels mastermind E says of the new album, ''Here are 15 new EELS tracks that may or may not inspire, rock or not rock you. The world is going nuts. But if you look for it, there is still great beauty to be found. Sometimes you don't even have to look for it. Other times you have to try to make it yourself. And then there are times you have to tear something apart to find something beautiful inside.''
Its been over two years since Hinds released their breakout debut album Leave Me Alone, and today the Madrid-based band announce their long-awaited sophomore record. I Dont Run will be out April 6 via Mom + Pop, and shows a bigger, better, faster, funnier, more dexterous Hinds. Co-produced by Hinds and Gordon Raphael (The Strokes, Regina Spektor), and engineered by Shawn Everett (Alabama Shakes, Perfume Genius, The War On Drugs, John Legend), I Dont Run is the product of a band fighting for their place, a band unwilling to rely upon their successes, a band who have just begun to prove themselves, and a band who plays hard but works even harder. With this second LP they continue their quest to own their narrative one of sisters doing it for themselves. Their debut album, Leave Me Alone has received major praise from NPR, Rolling Stone, The New Yorker, as well as appearances on Late Night with Stephen Colbert.
On April 6, 2018, Merge Records will release I Only Listen to the Mountain Goats: All Hail West Texas, a double-LP compiling the covers of each track from All Hail West Texas that will be unveiled during the first season of I Only Listen to the Mountain Goats, a unique new podcast from Night Vale Presents. Each cover will be released as a digital single when the corresponding podcast episode is broadcast, starting with Laura Jane Grace’s cover of “The Best Ever Death Metal Band in Denton” on September 28, 2017. I Only Listen to the Mountain Goats is a collaboration between Merge Records, Night Vale Presents, and the Mountain Goats.
That title isn't just some random number. 12 is indeed the 12th album from Canadian power-pop perennials Sloan, which means it's as good as Led Zeppelin IV, Black Sabbath's Vol. 4, and Chicago 4 all put together. But seriously: not only are Sloan the rare band to make it to their 12th record, and not only are Sloan the rare band to make it to their 12th record with all four original members, and not only are Sloan the rare band to make it to their 12th album with four original members who are equally prolific songwriters, they're arguably the only band to make it to their 12th album with four original members who are both equally prolific songwriters and all still working at the top of their respective games, sounding utterly ageless in the process. On 12, each of the four principals contribute three stellar songs that play to their core strengths: Patrick Pentland with the soaring rock anthems, Chris Murphy with the playful, participatory sing-alongs, Jay Ferguson with the jaunty prog-pop gems, and Andrew Scott with the whimsical innerspace explorations. Says Murphy, "I guess with the album title, we are showing off the fact the we have 12 records."
Moosebumps: An Exploration Into Modern Day Horripilation is the incredible follow up album to the classic, critically acclaimed 1996 Dr. Octagon release Dr. Octagonecologyst, the inspired musical collaboration of legendary artists/producers Dan “The Automator”, MC Kool Keith & turntablist DJ Q-Bert. For the first time in 22 years Moosebumps reunites the dream team in studio & on stage! Features appearance from frequent Automator collaborator Del The Funky Homosapien on “3030 Meets The Doc Pt.1”.
Pigeonholing Blackberry Smoke has never been easy. Since emerging from Atlanta in the early ‘00s, the quintet – vocalist/lead guitarist Charlie Starr, guitarist/vocalist Paul Jackson, bassist/vocalist Richard Turner, drummer Brit Turner and keyboardist Brandon Still – has become known for a singular sound indebted to classic rock, blues, country and folk. Find A Light, Blackberry Smoke’s sixth studio album, doubles down on diversity. Songs hew toward easygoing roots-rock (“Run Away From It All”) and Southern rock stomps (“The Crooked Kind”), as well as stripped-down acoustic numbers (“I’ve Got This Song”) and bruising alt-country (“Nobody Gives A Damn”). Rich instrumental flourishes – keening fiddle, solemn organ and bar-band piano boogie – add further depth and resonance.
Some of the world’s biggest pop, rock and country artists are celebrating Elton John’s most beloved and legendary catalogue of hits with two albums Revamp (Island Records) and Restoration (Universal Music Group Nashville) to be released on April 6. The superstar lineup features artists both new and iconic reinterpreting the timeless songs of the over 50 year writing partnership that Elton and Bernie Taupin share. These renditions and artists show the depth of the catalogue these two icons have created, which can easily cross musical genres and their unparalleled influence across popular music of all styles.
Revamp features the hits reimagined by the best in pop, rock and urban with Mary J. Blige, Alessia Cara, Coldplay, Miley Cyrus, Florence And The Machine, Lady Gaga, The Killers, Mumford and Sons, P!nk and Logic, Q-Tip ft. Demi Lovato, Queens of the Stone Age, Ed Sheeran, Sam Smith,
Some of the world’s biggest pop, rock and country artists are celebrating Elton John’s most beloved and legendary catalogue of hits with two albums Revamp (Island Records) and Restoration (Universal Music Group Nashville)to be released on April 6. The superstar lineup features artists both new and iconic reinterpreting the timeless songs of the over 50 year writing partnership that Elton and Bernie Taupin share. These renditions and artists show the depth of the catalogue these two icons have created, which can easily cross musical genres and their unparalleled influence across popular music of all styles. Restoration highlights countries biggest stars with thoughtful interpretations by Dierks Bentley, Rosanne Cash and Emmylou Harris, Miley Cyrus, Vince Gill and Don Henley, Miranda Lambert, Little Big Town, Maren Morris, Kacey Musgraves, Willie Nelson, Brothers Osborne, Chris Stapleton, Rhonda Vincent and Dolly Parton and Lee Ann Womack. “'It's always a huge compliment when an artist loves your song enough to take the time and effort to rework it,” adds Elton John. “As songwriters, Bernie and myself are thrilled when singers we admire and respect as much as those on Revamp & Restoration choose to add their own unique twist in the process. It means that our music is still relevant and ultimately that our songs continue to reach new audiences. We're humbled and thank them all for their generosity.”
The new multi-part documentary Elvis Presley: The Searcher, directed by Thom Zimny and airing on HBO on April 14, pushes past the larger-than-life image of The King of Rock and Roll, portraying him instead as a man and an artist "who wanted to heal, to find that thing that was always felt to be missing, and to do it through the music."
This soundtrack features 18 songs as heard in the film including familiar hit recordings ("Heartbreak Hotel," "Are You Lonesome Tonight?"), powerful vocal performances ("That's All Right," "Tomorrow Is a Long Time," "Trouble/Guitar Man") and rare outtakes ("Suspicious Minds," "Separate Ways").
Elvis Presley: The Searcher (The Original Soundtrack) is also available on 1CD and 3CD configurations.
'I feel like I'm in a totally new band right now,' says Dr. Dog guitarist/singer Scott McMicken. It's a bold declaration considering he's been co-fronting the beloved indie outfit for a decade-and-a-half, but it cuts straight to the heart of the intense and transformative experience behind the group's brilliant new album, 'Critical Equation.' Produced by Gus Seyffert (Bedouine, Michael Kiwanuka), 'Critical Equation' is the most infections and adventurous collection Dr. Dog has laid to tape yet. The record was born from a journey of doubt and discovery, a heavy, sometimes painful reckoning that ultimately brought the band closer together with more strength and clarity than ever before. Call it an existential awakening, call it a dark night of the soul, whatever it was, it fueled one of the most fertile creative periods in the group's history.
GRAMMY® Award-nominated multi-platinum hip hop trio Migos (Quavo, Offset, and Takeoff) return with their anxiously awaited full-length album, Culture II, almost exactly a year after the record breaking first installment. Lead single “Motorsport (feat Nicki Minaj & Cardi B)” is already topping charts, followed by the Pharrell produced smash, “Stir Fry”. Standard weight, black vinyl
With Last Man Standing, Willie Nelson has added 11 essential new songs to his classic catalog. Comprised entirely of songs newly-penned by Willie along with longtime collaborator and producer Buddy Cannon, it is one of his most personal and introspective albums to-date. An album that acknowledges the transience of time while marveling at the joy, beauty and surprise the world has to offer, Last Man Standing finds Willie Nelson rolling at a creative peak, writing and singing and playing with the seasoned wit and wisdom that comes from the road.
Cicada Rhythm is Andrea DeMarcus and Dave Kirslis. Following their 2015 self-titled debut, Cicada Rhythm consciously decided to build upon their homespun, stripped-down folk sound by bringing in more musicians and multiple producers to their latest record, Everywhere I Go. Recorded in a string of studios across the southeast, it's a snapshot of a band on the move, with new members filling their lineup and a louder set of influences propelling their sound forward. There are roots-rock tunes, slow waltzes, front-porch folksongs and backwoods ballads, all delivered by a group of road warriors who've cut their teeth not only in the writing room, but onstage, too. Kenneth Pattengale (Milk Carton Kids) and Oliver Wood (The Wood Brothers) share production duties, giving Everywhere I Go a broad, diverse punch.
Stimulator Jones’s music never draws on just one place or time, instead dipping in and out of classic styles from the 1970s and ’80s to the present day. On his debut album Exotic Worlds and Masterful Treasures, his elastic voice and instrumental grooves effortlessly evoke the heady feel of R&B favorites like Rick James, K-Ci & Jo Jo, Aaron Hall and The Gap Band
No Mercy In This Land is a blues record. Charlie Musselwhite and Ben Harper were introduced to one another by John Lee Hooker. The legendary musician thought the two men should play together, so he brought them into the studio to record a song called simply “Burnin’ Hell.” The two remained friends and their paths periodically crossed out there on the road. But it wasn’t until 2013 that the two met up in a studio to record what would be their Grammy winning album Get Up!. And as good as that record was, it was just the beginning. Both men agree that their friendship deepened in the many months of touring that followed. And it’s that bond, that closeness, that makes this new record something special. At first glance, Ben Harper and Charlie Musselwhite might seem an unlikely pairing. While Ben grew up in in the tree lined Southern California college town of Claremont, a bastion of culture and liberalism just east of Los Angeles, Charlie was raised in Memphis during the time of rockabilly and Sun Records. But while the two might have come to their musical knowledge in different eras and places, as Charlie explains, “We were both searchers and we’re still seeking.” Each of them possess an enduring hunger for musical knowledge that came to them early.
Golden Hour follows the massive success of Kacey’s critically-acclaimed albums Same Trailer Different Park, Pageant Material and A Very Kacey Christmas. Both Same Trailer Different Park and Pageant Material debuted at #1 on Billboard’s Top Country Albums chart, with Kacey becoming the first solo female in 5 years to top the chart with a rookie release and only the seventh to do so in Nielsen SoundScan’s 22-year history. Kacey has won 2 Grammy Awards for Best Country Album and Best Country Song (“Merry Go ‘Round”), 2 CMA Awards for “New Artist of the Year” and “Song of the Year” (“Follow Your Arrow”), and an ACM Award for Album of the Year.
SLUFF is the debut release from the Seattle, WA band, Naked Giants. SLUFF is a collection of songs the band has been writing and performing over the past few years. The specific goal was to capture “THAT live energy” in a recording, but as the energies of the studio processes began to mingle, the album became an entity unto itself. Bassist Gianni Aiello explains, “We played our very best on this album, but there are still a good amount of mess-ups and rough edges that give it that ‘first album’ character. The album gets its personality in large part from the play between the planned and unplanned. With producer Steve Fisk (Nirvana, Low, Damien Jurado, The Posies), we could carefully craft some particular sonic signatures just as easily as stumble upon some random noise or mic technique. There’s no underlying concept for the album, but it’s this sort of order and chaos attitude which gives it a cohesive feeling.”
SLUFF is a rock and roll record for the modern rock and roller. Some songs are long, some are short, and some are even shorter than that. It’s full of hooks and plenty of guitar solos. The most important thing is that everything hits you all at once, feeling like it could all happen in a matter of seconds. This is the Naked Giants thesis statement...for now.
The Vaccines return to their roots with the release of their new album Combat Sports. The songs included in this collection range from pure Vaccines rock and roll to power-pop, and it's a combination of creativity that has never failed them in the past.
The Vaccines is comprised of original members Justin Hayward-Young (lead vocals, guitar), Freddie Cowan (lead guitar, vocals), Árni Árnason (bass, vocals), and recent additions Tim Lanham (keyboards), and Yoann Intonti (drums) who were both touring band members.
The Vaccines have become one of the biggest and most adored British bands of our generation. Starting their career with a bang in 2011 with the year's bestselling debut album What Did You Expect from the Vaccines?, 2012 then saw the release of the equally successful Come of Age, which charted at #1 in the UK, and in 2015 English Graffiti charted at #2. Combined, the band have sold over 1 million records worldwide.
New York native songwriter and composer Greta Kline has shared a bounty of her innermost thoughts and experiences from the past six years through the almost inconceivable number of songs she has released since 2011. Like many of her peers, Kline’s prolific creative output was initially born out of an era where bedroom recording and self-releasing became more possible than ever through the advent of the internet. But as she’s grown as a writer and performer, playing to larger audiences and devising more complex albums, Kline has shifted from an artist who’s made strides despite limitations, to an artist whose impact can be seen across modern independent music. Her newest record, Vessel, which will be out spring 2018 through Sub Pop Records, is the 52nd release from Kline and the third studio album by her indie pop outfit Frankie Cosmos. On it, Kline explores all of the changes that have come in her life as a result of the music she has shared with the world for the past half-decade, as well as the parts of her life that have remained irrevocable.
For her tenth album and first album on a major label in nearly fifty years, legendary soul singer Bettye LaVette takes on the songs of Bob Dylan with the grit and experience that makes her one of the greatest living soul singers alive. Things Have Changed is a masterpiece of interpretation of one of the greatest songwriters alive, by one of the greatest soul singers alive. Produced by Steve Jordan, the album spans Dylan’s catalogue and features guest appearances by Keith Richards and Trombone Shorty.
Sons of Kemet is the iconoclastic mix of tenor sax, tuba and double drums. On this third studio album, they bring a genre defying approach that celebrates the restless exploration of identity within the Caribbean diaspora within the U.K. Your Queen is a Reptile was recorded in London with a host of guests spanning the breadth of the U.K. scene including jungle legend Congo Natty and poet Joshua Idehen.
On every album, Damon McMahon aka Amen Dunes has transformed, and Freedom is the project's boldest leap.
The themes are darker than on previous Amen Dunes albums, but it's a darkness sublimated through grooves. The music, as a response or even a solution to the darkness, is tough and joyous, rhythmic and danceable.
It's a sound never heard before on an Amen Dunes record, but one that was always asking to emerge. Eleven songs span a range of emotions, from contraction to release and back again. 'Blue Rose' and 'Calling Paul the Suffering' are pure, ecstatic dance songs. 'Skipping School' and 'Miki Dora' are incantations of a mythical heroic maleness and its illusions. 'Freedom' and 'Believe' offer a street tough's future-gospel exhalation, and the funk-grime grit of 'L.A.' closes the album, projecting a musical hint of things to come.