Single LP on black vinyl in gatefold sleeve. Includes coupon for full download.
You may not be able to see the gorgeous landscapes behind Baby Grand, Stuart McLamb’s fourth record as The Love Language, but they’re so essential to the picture you’ll feel them in every note. Started in, of all places, a cavernous Virginia hammock factory, fragmentary demos came alive when splashed by sunshine during a move across the country to California, where the album was completed. “It was something just about being in a new city, and a new light,” McLamb says, “and reopening the sessions, and this demo that I thought was a throwaway, suddenly I’m really feeling it….” You can hear the freedom kick in when the backwoods country shuffle of “Castle in the Sky” explodes into a full-on aughts anthem, equal parts outstretched arms and pumped fists.
The band's ninth-studio album, Among the Ghosts, is their first for noted Nashville indie label Thirty Tigers. It was recorded and co-produced with Grammy-winning engineer/producer and Memphis native Matt ross-Spang (Jason Isbell, Margo Price, Drive by Truckers) at the historic Sam Phillips Recording Service/Sun Studio. Recorded primarily as a five-piece, Among the Ghosts eschews the Stax-inspired horns and Jerry Lee Lewis-style boogie piano featured in some of the band's past recordings for a streamlined rock & roll sound that pays homage to their seminal influences as it seeks to push that legacy into the future. For a band who carried the torch of the alt-country movement back in the 90's and helped pave the way for what is now called Americana, Lucero have re-discovered what inspired them in the first place. The sound is more their own and at the same time not exactly like anything they've done before. This is a band settling into their craft. The 10-song disc's title is both a tribute to the spirits which road the streets of their fabled city, as well as the hard road the determinedly independent band set out on 20 years ago.
'It's all rock & roll -- no golf!' is how acclaimed singer/songwriter/violinist Amanda Shires describes her electrifying firth album, To The Sunset. She's borrowed a lyric from the effervescent track 'Break Out the Champagne,' one of ten deftly crafted songs that comprise her powerful new recording. The Texas-born road warrior, new mom, and recently minted MFA in creative writing has mined a range of musical influences to revel an Amanda Shires many didn't know existed. 'Isn't it refreshing?' Shires asks. Indeed. Distorted electric guitars, effects pedals, swirling keys and synths, and rockin' rhythms certainly suit Shire's visceral songcraft and lilting soprano.
British rock and rollers The Temperance Movement have returned with news of a brand new studio album to be released in early 2018, supported by a European headlining tour. Following a whirlwind few years in which they released two Top 20 albums, toured around the world and shared the stage with such rock megastars as The Rolling Stones, The Temperance Movement are finally back, having been hard at work behind the scenes preparing for an even bigger year in 2018. The band's eagerly-anticipated new album, 'A Deeper Cut', features 12 brand new songs which draw on the band's recent experiences and showcase their ever-improving songwriting abilities. Following on from the unprecedented success of the debut album (2013) that stormed the UK Album Charts and the follow up record 'White Bear' which landed at #1 in the UK Rock albums chart. "A Deeper Cut" is without doubt the band's finest output to date. A Britpop swagger and mod, rock n roll vibe throughout, The Temperance Movement might have just written the greatest British album of the last decade.
On Golden Age Houndmouth takes a fearless approach to production by enlisting the unlikely team of Jonathan Rado and Shawn Everett, who employed some fairly unconventional recording techniques in the studio. The end result is enthralling, inventive and even more melodic than anything they've previously released.
Four years after releasing their Merge debut, Frozen Letter, Spider Bags return with an LP that ascends to new levels of aural punch and perspective. The years that elapsed between records were crucial in enabling that progress to take place.
Recorded in Memphis at Bunker Audio by Andrew McCalla (who also engineered 2012’s Shake My Head), Someday Everything Will Be Fine leverages the limitations and glory of the Tascam 388, a vintage recording/mixing device that’s acquired a mythos via its association with legendary records by Dinosaur Jr. and others. Unlike the error-erasing editing software Spider Bags frontman Dan McGee has favored in the past, the Tascam’s charms are more immediate, and it has a visceral resonance all its own.
Someday Everything Will Be Fine, which is about the importance of saying f**k it and dancing to a rock and roll record, is an album only Spider Bags could make.
Finnish metal band Fear Of Domination fuse elements from a variety of different styles, bringing together elements as diverse as Melodeath, Industrial and EDM to create a unique vision of a hyper-energetic, modern Metal-sound. The band sports a dynamic front duo with new female singer Sara Strommer nicely complementing founding vocalist Saku.
The album serves as a follow-up to the 2014 LP "YES!", and is Mraz's first full-length studio recording in over four years.
The bulk of the album was written against the backdrop of the 2016 Presidential election and its aftermath, and Mraz found himself writing a lot of "frustrated, angry, even sad songs, but nothing I wanted to sing." Instead he has chosen to convey an uplifting, positive message.
Know. was produced by Andrew Wells, who brings an organic and groovy feel to the album's classic, acoustic rock sound.
Ever the outlaw, Jennings has now crafted what might well be his most truly idiosyncratic work thus far, SHOOTER. Produced by longtime friend and collaborator, Low Country Sound founder Dave Cobb, at the renowned RCA Studio A on Nashville's Music Row, the album sees Jennings staking out a fairly straightforward goal: to simply make a great country record. It should be noted, Jennings' last studio album was a genuinely visionary tribute to Giorgio Moroder so in some ways, making a straight up country record is as much of a left turn as anything else in his brilliantly mercurial career thus far. But with songs like "Fast Horses & Good Hideouts" or the raucous "I'm Wild & My Woman Is Crazy," Jennings more than affirms his mission by returning to country's original, if oft misplaced, mandate: singing songs about growing up and getting older, about going out and getting trashed. In short, making music for real people with real lives. With SHOOTER, Jennings truly puts his own mark on country music, living up to his extraordinary birthright with unparalleled passion, experience, and heart.
Vinyl LP pressing. 2018 release. Showcasing the essence of what Jake Shears does best, the eponymously titled solo debut from the Scissor Sisters frontman is an album brimming with anthemic choruses and lyrics about the joys and vagaries of love and sex - all of it underpinned by a swampy soul influence imparted from his newly adopted hometown New Orleans. Shears' artistic vision blossomed in the epicenter of Southern decadence, where he had headed following the Scissors hiatus in 2012. Initial ideas for the album were mapped out at the city's famed Marigny Studios before he decamped to Louisville, KY to work with producer Kevin Ratterman (Ray LaMontagne, My Morning Jacket) who recruited members of My Morning Jacket, VHS or Beta, Jim James' solo band, and Floating Action to lay down the album's foundation. With string and brass arrangements by Christian Hebel (Barbra Streisand) and Lance Horne (Alan Cumming), they returned to NOLA to capture the city's signature sound with the Preservation Hall Jazz Band and Sturgill Simpson's brass section. The result is a thrilling work that plays inside some of the hallmarks of classic American rock music and marries them with Jake's inimitable point of view, humor, and gift for unforgettable hooks.
Enuff Z nuff are the living, breathing example of what a rock n roll group should be. Now centered around bass player and vocalist Chip Z nuff, Enuff Z nuff are still alive and kicking with a legion of loyal fans, who can t get enough of the band s power pop melded with hard rock stylings. In addition to Chip Z nuff, the band features longtime guitarist Tory Stoffregen, ex-Ultravox singer/guitarist Tony Fennell, and Chicago native Daniel Benjamin Hill on drums. Enuff Z nuff continues to tour and record relentlessly and this new record shows once again what a truly gifted hard / power pop act they are. With no shortage of hooks and awesome songs, Diamond Boy is another gem in Enuff Z Nuff s crown! FOR FANS OF: Cheap Trick, The Beatles, Queen, Warrant, Cinderella, Van Halen
British rock band Marillion, founded in 1979, have become one of the most commercially successful neo-progressive rock bands of the 1980s and are still one of the most outstanding representatives of their genre. Throughout a celebrated career that has spanned almost four decades they have released 18 studio albums and sold over 15 million copies worldwide. On October 13, 2017, Marillion played at the Royal Albert Hall for the very first time. The concert was sold out in a split second and the audience, travelling from all over the world, was rewarded with an incredible Marillion show. In two parts, "All One Tonight" firstly showcases the band's acclaimed 2016 studio album 'F E A R' in full. Accompanied by an awe-inspiring light show and films, Marillion perform their incisive and era-defining zeitgeist with unparalleled passion and power. The second half introduces 'In Praise Of Folly' and guests, a string quartet with flute and French horn that throughout the rest of the show inject an extra depth and emotion to some of Marillion s best-loved live material. The concert film was directed and edited by Tim Sidwell and recorded and mixed by Michael Hunter. Available on 2CD, 2DVD, 2 Blu-ray, 4LP (180 gram) vinyl and Digital
There is a collective energy in Nashville, one that Liz Cooper has poured herself into for the past six years. Liz remarks that the energy in Nashville today is akin to that of Greenwich Village in 1960s New York or the Laurel Canyon days in the 1960s and 1970s and is a product of a collaborative approach to music and art. This community has allowed Liz to be part of many magically haphazard nights, where the movers and shakers of the Nashville music world, such as Okey Dokey, Becca Mancari, Rayland Baxter, Desert Noises, Morning Teleportation, Erin Rae, Brittany Howard, Cage the Elephant, Michael Nau and many more converge to make music and art and lose track of time. Her latest album is a product of that pulsating energy in Nashville that has had some of the greatest influence in her work.
On her deeply moving debut album At Weddings, Sarah Beth Tomberlin writes with the clarity and wisdom of an artist well beyond her years. Like Julien Baker and Sufjan Stevens, she has a knack for transforming the personal into parable. Like Grouper, she has a feel for the transcendent within the ordinary. Born in Jacksonville, Florida, and now based in Louisville, Kentucky, Tomberlin wrote most of At Weddings while living with her family in southern Illinois during her late teens and early twenties. The daughter of a Baptist pastor, Tomberlin found herself questioning not only her faith, but her identity, her purpose, and her place in the world. In songwriting, she found relief and lucidity she had trouble articulating otherwise. When she was 19, she wrote "Tornado" on her parents' piano, and began to gain confidence in her music. A year later, Tomberlin had enough songs to fill an album. Throughout At Weddings, Tomberlin's lyrics yearn for stability and belonging, a near-universal desire among young people learning to define themselves on their own terms for the first time. The songwriter cites the hymns she grew up singing in church as her greatest musical influence, and while At Weddings in many ways documents the unlearning of her childhood faith, it's easy to hear the devotional quality of sacred music in her songs. The album is laden with reverence for music itself, for the power it has to heal and help people navigate their lives. It is a record about learning to love oneself and others without reservation, from a place of deep sincerity — a lifelong challenge whose tribulations Tomberlin articulates beautifully. "My number one goal with my music is for honesty and transparency that helps other people find ways to exist," she says. With At Weddings, this remarkable young songwriter offers up comfort and wonder in equal measure.
An unprecedented cinematic journey ten years in the making and spanning the entire Marvel Cinematic Universe, MARVEL STUDIOS' THE AVENGERS: INFINITY WAR brings to the screen the ultimate showdown of all time. The Avengers and their Super Hero allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos. "The payoff was worth the wait" (Sara Stewart, New York Post).
The Us Generation: The making of the 1982 Us Festival is an in-depth look at one of the most influential music festivals of all time. The Us Generation is from award winning filmmaker and rockumentarian Glenn Aveni, who is also the films director. Co-Directed by Jay Cederholm and Produced by Bruce Gibb & Rich Schmig, the film blends rare concert footage and insightful interviews with both organizers and performers. The film tells the story of the groundbreaking 1982 Us Festival--an epic three-day event featuring an eclectic and unprecedented lineup boasting some of the biggest names in music, performing live in front of over one million people at Glen Helen Regional Park in San Bernardino, CA. The Us Festival was the brainchild of Apple visionary Steve Wozniak, who wanted to create something that was a true celebration of Americana, cultivating positive vibes and building a deep sense of community through the power of technology and music. The film is produced by Icon Television Music, Inc., Plum Media, and in association with Us Festival original founders Unuson Corporation. Highlights include performances by chart-topping superstars, Tom Petty & The Heartbreakers, alt-rock trio The Police, blues rock heroes Fleetwood Mac, guitar virtuoso Carlos Santana, retro-chic favorites The B-52s, and new wave icons The Cars; as well as archived appearances by Johnny & Joey Ramone, Carlos Santana, Sting, Ric Ocasek, Danny Elfman, and Fred Schneider; plus exclusive sit-downs with festival founder Steve Wozniak, Mick Fleetwood, Eddie Money, Marky Ramone, Kate Pierson, Stewart Copeland, and Mickey Hart, among others.
200 Motels is Frank Zappa's outrageous, psychedelic precursor to the birth of the music video - his hilarious response to the burning question of what to do with road-wrecked musicians. Should they rip off the motel's towels and ashtrays or merely quit the group? Dare they rebel against the tyranny of the merciless Zappa? The Mothers of Invention, as irrepressible as Zappa himself, wreck havoc in Centerville, a typical American town with its Rancid Boutique, Cheesy Motel, Fake Nightclub, Redneck Eats Cafe, groupies and an honest-to-goodness Main Street. Ringo Starr, in Zappa disguise and carrying an oil lamp, narrates. Theodore Bikel is government agent Rance Muhammitz. The hysterically funny man behind such hits as Valley Girl, Dancin' Fool and Don't Eat The Yellow Snow, Zappa reasserts his genius in this zaniest piece of filmusical fantasy-comedy since The Beatles' A Hard Day's Night. - Daily Variety
When her husband suddenly dumps her, longtime dedicated housewife Deanna (Melissa McCarthy) turns regret into re-set by going back to college…landing in the same class and school as her daughter, who’s not entirely sold on the idea. Plunging headlong into the campus experience, the increasingly outspoken Deanna—now Dee Rock— embraces freedom, fun and frat boys on her own terms, finding her true self in a senior year no one ever expected.
Underworld and Iggy Pop announce Teatime Dub Encounters due for release on July 27th via Caroline. The 4 track EP is the result of a few clandestine hotel room recording sessions that began a few weeks after Underworld and Iggy Pop each released their last albums on the same day (3/18/16). It is neither historical nor a tribute to past work; it is the work of artists in motion, engaged in a process that they both bring to all of their work – one that uses spontaneity as a spur for creativity.
With over 225,000 physical albums sold, millions of streams, and hundreds of sell-out live performances nationwide, Cody Jinks’ highly anticipated new album, Lifers, marks his debut for Rounder Records and the next chapter in a book of grass-roots country music superstardom. In the two years since he released his last album, (which made its impressive debut on the Billboard Country Albums chart at #4), Jinks and his band have relentlessly toured and cultivated an immense and loyal following among enthusiastic music fans who crave the kind of authentic country music on which he was nurtured. The title track and theme of the album celebrates the resilience of the human spirit and pays tribute to the often overlooked “lifers, the struggling strivers, working long after the day is done…the last of the great generation.”
Proudly carrying the torch that artists like Zack de la Rocha, Woody Guthrie, Chuck D, System of a Down, and Kendrick Lamar lit up with their politically charged lyrics, the talented singer, rapper, poet, illustrator, author, and activist OTEP SHAMAYA has proven to be one of the prolific, loudest and most sincere voices in protest music! On KULT 45, the powerhouse eighth studio album, OTEP expertly fuses aggressive and pervasive metal molotovs, imbued with eruptive rapcore, that captivate the mind and body, not only with lyrically-embraced social enlightenment, but with poignant messages regarding the current political and cultural conditions in America. On hymns such as 'Halt Right' and 'Molotov', OTEP thrashes out with brute force and skillful pun, clearly calling out against the return of odiferous hate groups. With the more emotionally charged 'Shelter In Place’ OTEP speaks out against school shootings and gun violence while also commending the strength and courage of survivors and the passion and devotion of the Parkland high school students who organized and set forth the MARCH FOR OUR LIVES movement. Later the album segues to a beautiful ballad called BRAVE that seductively beckons listeners to abandon their comfort zones and go after their dreams. "Things needed to be said and songs needed to be written without fear so to bravely reflect the times." Shamaya explains that KULT 45 is the most authentic album OTEP has ever released. The album closes out with a cover of the classic song "Wake Up" - a tribute to the legends, RAGE AGAINST THE MACHINE.
Joseph returns with 7-track vinyl EP Stay Awake via ATO Records with 3 new songs “All,” a demo of “50, 60, 80,” & “Stay Awake” plus 2 older songs reimagined & covers of Tears For Fears “Everybody Wants To Rule The World” & Rolling Stones “Moonlight Mile.” Natalie Schepman who founded Joseph w/her 2 sisters Allison & Meegan Closner says the EP is “a small collection of songs we put together to help ourselves deal with heaviness. It's a bit of telling it like it is. It's a bit of a ‘keep going.’"
The seven-track release from the rapper was streamed live from Wyoming and featured guest appearances from 070 Shake, DeJ Loaf, Jeremih, Kid Cudi, John Legend, Nicki Minaj, PARTYNEXTDOOR, Ty Dolla $ign, Valee and Charlie Wilson.
Influential hard rock legend, reality TV star, Broadway alumni, horror movie director, radio host – Dee Snider, the face and voice of the legendary Twisted Sister, has a career many would kill for. And yet the singer`s thirst is far from being quenched – his thirst for METAL! Dee Snider has inked a deal with Napalm Records for his upcoming solo album For The Love Of Metal produced by Hatebreed vocalist Jamey Jasta and featuring contributions from Howard Jones (ex-Killswitch Engage), Mark Morton (Lamb Of God), Alissa White-Gluz (Arch Enemy), Joel Grind and Nick Bellmore (Toxic Holocaust) and Charlie Bellmore (Kingdom Of Sorrow). Snider comments about For The Love Of Metal: "This is a really incredibly exciting album that I did not expect to make, especially at this point in my life. Jamey Jasta challenged me to make a contemporary rock record. … and I rose to the challenge!“ The result is a full-on anthemic metal album indulging in modern heaviness without neglecting Snider`s Twisted Sister roots. One of the most powerful voices in rock & heavy metal is back...and more ferocious than ever!
The seven-track release from the rapper was streamed live from Wyoming and featured guest appearances from 070 Shake, DeJ Loaf, Jeremih, Kid Cudi, John Legend, Nicki Minaj, PARTYNEXTDOOR, Ty Dolla $ign, Valee and Charlie Wilson.
Ty Segall and White Fence are AS ONE again. Six years after their fun favorite "Hair" collaboration, and jeez, almost four years after Ty produced the last White Fence record "For the Recently Found Innocent", they're back at it. But the second time around, it's no Hair 2 - Joy is its own reward. Tim Presley and Ty take it up a notch, with fifteen wild tracks that share space in a effortless fashion, dispersing doses of the fabled vintage obsessions, but threading them together instead with their own sound of today. Joy, indeed!
Home and the people who make it have captivated Lori McKenna for years. Over the last three decades, as she became a wife and mother of five, she has also emerged as one of the most respected, prolific singer-songwriters in popular music. Her 2016 release The Bird and the Rifle netted three Grammy nominations, along with Americana Music Association nods all firsts for McKenna as an artist. Then, she made history: In 2016, she became the first woman ever to win the Country Music Association s Song of the Year two years in a row thanks to co-writing Little Big Town s Girl Crush and penning Tim McGraw s no. 1 Humble and Kind solo. Both songs also clinched back-to-back Grammy wins for Best Country Song. In 2017, she became the Academy of Country Music s first female Songwriter of the Year. The Tree is her much-anticipated eleventh studio album. Produced by Dave Cobb, The Tree takes one of McKenna s signature themes family and builds a tapestry of experiences she has lived and overheard, been told and dreamed up, to create a stunning ode to life s defining relationships.
HIVE MIND is the new album from THE INTERNET, and is the follow up to 2015's critically acclaimed and Grammy nominated album Ego Death. With this new album, THE INTERNET present enormous growth in their creative chemistry and prove they are a five-person force whose singular talents created one phenomenal whole. The album is written and produced entirely by THE INTERNET - Syd (vocalist/songwriter), Matt Martians (producer), Steve Lacy (guitarist/vocalist/songwriter), Patrick Paige II (songwriter/bassist), and Christopher Smith (songwriter/drummer). And it is with a sense of togetherness - not just for them, but for everyone - that the band chose to highlight as a major theme for Hive Mind. "After making a few songs we realized that we really want to use this album to live by example and promote camaraderie amongst young black people," Syd reveals. "We realized that we're the only band of our kind. And we want to really solidify ourselves as that, as the best." With the chaos of the current world considered, all of THE INTERNET wanted to champion good feelings and the joy of following your heart and passions, in addition to using their own positive relationships and experiences to inspire their community. The band unearthed an even deeper purpose as they collaborated on HIVE MIND. The result is not just one of the greatest records in the band s already phenomenal catalogue, but is easily one of the best albums of 2018, from five amazing people already leaving an indelible mark on pop music.
NAV to release CD of new album, RECKLESS, via XO Records / Republic Records on 7/20. RECKLESS includes his platinum-certified single 'Wanted You (feat. Lil Uzi Vert)' in addition to his previously released track 'Freshman List.' NAV supported the album with an extensive headlining tour. His current single 'Champion (feat. Travis Scott)' will impact Urban and Rhythmic radio on 6/26.
Punch Brothers return with All Ashore, their first album since 2015's The Phosphorescent Blues. The band wrote all nine songs on the album, which they self-produced and recorded in Los Angeles. "It's a meditation on committed relationships in the present day," says Chris Thile, "particularly in the present climate."
77:78 is the new project from Aaron Fletcher and Tim Parkin, card carrying members of the musical kaleidoscope that is The Bees. Crate diggers and music nuts, 77:78's music possesses snatches of the fried, post-sandbox loveliness of The Beach Boys Smiley Smile, the clatter of King Tubby's junkyard dub, the childlike playfulness of early Syd Barret and a gentle seabreeze of sublime West Coast harmonies. Their debut album, Jellies, sounds like staying up late with a friend who's playing you all the best bits of their mind-blowing record.
1,2 Kung Fu is the debut album from Boy Azooga, the psych-flecked musical vehicle for Cardiff's Davey Newington. This multifarious musical mission takes inspiration from the likes of Sly & The Family Stone, Caribou, Black Sabbath, Outkast, Van McCoy, Ty Segall and The Beastie Boys. Boy Azooga are a reverent ensemble churning out rave-tinged rock that hints at a progeny of both Can and the Happy Mondays. Limited Edition Pink Vinyl
Sweetener is the fourth album from Ariana Grande, the Grammy Award-nominated, multi platinum, record-breaking superstar that has emerged as one of the most magnetic and massively successful performers in pop music today. The album features the number 1 smash 'no tears left to cry,' as well as 'the light is coming (feat. Nicki Minaj)' and 'God is a woman.' With the release of 'no tears left to cry,' she became the first artist in music history to see the lead single from her first four albums debut in the Top 10 on Billboard Hot 100. By the age of 24, Ariana Grande delivered three platinum-selling albums in addition to nabbing four Grammy Award nominations and landing eight hits in the Top 10 on the Billboard Hot 100 chart. Since making her full-length debut with 2013's Yours Truly (featuring the game-changing, triple-platinum smash 'The Way'), Grande has brought her striking vocal presence to a genre-blurring breed of pop, taking on soul, and electronic music with equal nuance and assurance. Her 2014 sophomore effort My Everything garnered a Grammy Award nomination for Best Pop Vocal Album and spawned the 6x-platinum hits 'Problem' and 'Bang Bang' (a Grammy nominee for Best Pop Duo/Group Performance). Grande embraced a more uncompromising vision than ever before in the making of 2016's Dangerous Woman and wrapped up her widely lauded 'Dangerous Woman Tour' in support of the album in 2017, performing 85 arena shows worldwide. Through the years, the longtime actress and former Broadway star has proven the scope of her talent by appearing on Scream Queens and Hairspray Live! and showcased her comedic chops by hosting Saturday Night Live. Grande has also earned numerous accolades from the MTV Video Music Awards, iHeartRadio Music Awards, and American Music Awards (including the highly coveted Artist of the Year prize). She has also graced the prestigious magazine covers of TIME s Next Generation Leaders, FADER, and British Vogue.
Thank You for Today, Death Cab for Cutie's ninth studio album, was produced and mixed by Rich Costey (Fiona Apple, Franz Ferdinand, Muse), who also produced the band's last album the GRAMMY® nominated Kintsugi. Thank You for Today marks the first Death Cab for Cutie release to see long time bandmates Gibbard, Nick Harmer, and Jason McGerr joined in the studio by new members Dave Depper (Menomena, Fruit Bats, Corin Tucker, Ray Lamontagne) and Zac Rae (My Brightest Diamond, Fiona Apple, Lana Del Rey, Gnarls Barkley). Depper and Rae have both been part of Death Cab's touring band since 2015. Death Cab for Cutie will celebrate their new album with a much anticipated fall tour. Check out the single "Gold Rush"
Nicki Minaj to release her fourth studio album, 'Queen,' on 8/17 via Cash Money Records / Republic Records. The album will include previously released tracks, 'Chun-Li,' 'Rich Sex,' and new track 'Bed (feat. Ariana Grande).' Her current single 'Chun-Li' is quickly approaching Top 5 airplay at Urban radio and recently broke into Top 10 airplay at Rhythmic radio. Nicki will support her album with a 28-date North American headlining tour with Future, which commences 9/21 in Baltimore and concludes 11/24 in Las Vegas.
JUNO nominated, Polaris Prize shortlisted Great Lake Swimmers frontman Tony Dekker set out to specifically make an album without any acoustic guitar. Recorded in the 145 year old Bishop Cronyn Memorial Church in London, Ontario and produced by Chris Stringer (The Wooden Sky, Elliot Brood, Timber Timbre), "The Waves, the Wake" releases on August 17, 2018 via Nettwerk.
Double vinyl LP pressing. 2018 release. Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Head-alum and noted key-stabber Tom Dolas, while the Paul Quattrone/Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts. Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there's a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer's made his calling card. Perhaps the most notable thing about Smote Reverser is the artistic restlessness underpinning it's flights of fancy. Dwyer refuses to repeat himself and for someone with such a hectic release schedule, that stretching of aesthetic borders and omnivorous appetite seems all the more superhuman!
The breakout success of 2016’s Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who’ve historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. “I had been on the road for a long time, which is so isolating, and had to run my own business at the same time,” Mitski explains, “a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs.” We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. “With a lot of the romantic infatuations I’ve had,” she says, “when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy gure that I so desire.” In Be The Cowboy, Mitski delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.
LET IT WANDER signals a new beginning for the band as they move beyond their original musical mandate of evoking the spirit of the Dead and fully embrace their own personality. “More than anything, what you hear on this album is a band growing into its own sound,” Casal says.
The songs on LET IT WANDER are focused and filled with imaginative musical turns. Horne and Levy form a veritable groove machine that knows intuitively when to tighten up and when to stretch out. They expand and collapse the rhythmic pocket around Casal and MacDougall, who pass melodies back and forth in an elaborate game of musical tag as they take turns adding color and shade from a seemingly endless kaleidoscope of cosmic sounds.
Madisen Ward and The Mama Bear are a mother-and-son folk duo based in Kansas City, KC. The band have just come off the road with Lake Street Dive. This fall, they are touring extensively nationwide alongside The Record Company. Supporters include NPR, Rolling Stone, SiriusXM, Billboard, Past and more.